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Santián Cave and its Rock Art List

Preview Edition

  • 7 photos(about1280x1000, 1470x980/JPEG) .
  • Commentary by César González Sainz & Roberto Cacho Toca, Univ. of Cantabria.
  • Royality Free for private and educational use.
The commentary of photos is omitted in this list except the first photo. Please go to Kagi store to purchase the photo package to see and use all other contents.

SA02
Photo ID: sa005_1
Description: Signs in red
Depiction: Sign
Chronology: Style III. Solutrean-Lower Magdalenian. ca.19000-16000 BP
Techniques: Paint
Comment:
This is general view of the second group of paintings in Cueva de Santián. It has fifteen red signs, sometimes described as schematic human arms, although this is interpretation is not certain.
Location: Entrance
Photo ID: sa5054_061
Description: Present entrance to Cueva de Santián
Depiction: Entrance
Chronology:
Techniques:
Comment:
SA01
Photo ID: sa007_1
Description: Horse in red
Depiction: Horse
Chronology: Style III. Solutrean-Lower Magdalenian. ca.19000-16000 BP
Techniques: Paint
Comment:
SA01
Photo ID: sa008_1
Description: Signs in red
Depiction: Signs
Chronology: Style III. Solutrean-Lower Magdalenian. ca.19000-16000 BP
Techniques: Paint
Comment:
SA02
Photo ID: sa005_1
Description: Signs in red
Depiction: Sign
Chronology: Style III. Solutrean-Lower Magdalenian. ca.19000-16000 BP
Techniques: Paint
Comment:
SA02
Photo ID: sa002_1
Description: Red signs in the form of arms
Depiction: Signs
Chronology: Style III. Solutrean-Lower Magdalenian. ca.19000-16000 BP
Techniques: Paint
Comment:
SA02
Photo ID: sa003_1
Description: Red sign in the form of an arm
Depiction: Sign
Chronology: Style III. Solutrean-Lower Magdalenian. ca.19000-16000 BP
Techniques: Paint
Comment:
SA02
Photo ID: sa004_1
Description: Red sign formed by two lines
Depiction: Sign
Chronology: Style III. Solutrean-Lower Magdalenian. ca.19000-16000 BP
Techniques: Paint
Comment:


Photographed by Takeo Fukazawa & Co-Project Team of Texnai Inc. and the University of Cantabria
Comment by César González Sainz & Roberto Cacho Toca, Univ. of Cantabria

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